August 16 – 17 (Friday – Saturday) – 8 pm
August 21 – 24 (Wednesday – Saturday) – 8 pm
Power Mac Center Spotlight
Level 2 Circuit Lane, Circuit Makati, Makati City.
People attend live theater because they “feel other people’s emotions, see the world like they do.”
—Senga Quinn
SYNOPSIS
DANCING LESSONS centers on Ever Montgomery, a science professor and Senga Quinn, a Broadway dancer. At the top of her career, Senga is holed up in her apartment with a serious injury that threatens her career and identity. When neighbor Ever, a professor at New York Institute of Technology, with a condition that is fearful of touch, asks for a dancing lesson so he can deal with social intimacy (handshaking, hugs, dancing) at an upcoming awards banquet that he was tasked to host. Through the lessons, a relationship slowly develops that has both individuals stepping out of their comfort zones.
CHARACTERS
Ever Montgomery – Professor of Geosciences at New York Institute of Technology who has Asperger’s Syndrome. Ever is a high functioning and extremely hyper person who lacks social skills. He cannot bear a person’s touch and struggles looking at them in the eye. Things started to change when she asked Senga, his neighbor, to teach him how to dance. She changes him in a way many would probably think is impossible.
Senga Quinn – A Broadway dancer who has suffered a major leg injury in a car accident. Thanks to her life-threatening allergy to anesthesia, her chances of surviving a much needed surgery becomes minimal that sidelined her to her apartment in New York.
CAST
RANDY VILLARAMA (EVER)
Randy is a Theater, Film and TV actor. He started acting professionally in 2001. His baptism of fire started with Tanghalang Pilipino where he played Jonathan Harker in Dracula. That play was followed by more TP Productions like Ligawang Ligaw, In the Middle of Silence, Himala the Musical, Orfeo sa Impyerno, Bakeretta (Ghost Operetta), A Midsummer Night’s Dream. Also while not exactly TP productions, he love’s to be Part of The Virgin Labfest where he played memorable characters in plays like; “When Sam Met Joe,” “Matyag” and even a Japanese Doctor in “Sundan Natin si Ever San, etc.”
Always trying to have a white belt mentality, he has worked with multiple Theatre Groups/Directors like PETA (Ang Buhay ni Galileo, Noli-Fili, Romulus Da Great), Atlantis (Beauty and the Beast), Trumpets (The Horse and his Boy), Repertory Philippines (Portrait of an Artist, Hamlet), Dulaang UP (Angry Christ, Lulu, Arturo Ui, Measure for Measure), Tanghalang Ateneo (Glass Menagerie, Othello), EGG Theater Co.(Moliere PMS, Maniacal); Gantimpala Theater (Noli Me Tangere, Florante At Laura), C.A.S.T. staged reading series (Our Country’s Good), among others.
He was trained in Acting and Comedy Improv by Ana Valdes-Lim. The first Filipina to graduate with a degree of fine arts in theater at the Julliard School of New York. Randy is a member of the Philippine Playhouse and was last seen in the Gawad Buhay best ensemble winner “Manila Notes” directed by the brilliant Oriza Hirata, and “Baka Naman Hindi” for the Cultural Center of the Philippines, masterfully helmed By Dennis Marasigan.
It’s Randy’s first time to work with Twin Bill Theater. Playing “EVER” is a pinch myself moment for him.
JILL PENA (SENGA)
A graduate of The Ateneo De Manila Fine Arts program and an awardee of the Loyola Schools Award for the Arts, Jill Peña is intimate with the inner workings of productions, both on and offstage and attributes her early theatre training to Ateneo Blue Repertory. Theatre credits: “The Sound of Music” (Sister Sophia/Maria Understudy), “Priscilla: Queen of the Desert” (Ensemble/Diva Understudy), “Bituing Walang Ningning” (Ensemble/Laviña Understudy), “Annie” (Grace Farrell): Resorts World Manila; “They’re Playing Our Song” (Ensemble): 9Works Theatrical; “Into the Woods” (Florinda/Rapunzel Understudy): Upstart Productions; “The Horse and His Boy” (Hwin): Trumpets; “Tarzan” (Ensemble), “Carrie” (Chris Hargensen), “Addams Family” (Ensemble), “Kinky Boots” (Ensemble), “Sideshow”(Ensemble), “Waitress” (Jenna Understudy), “Beautiful” (Janelle Woods): Atlantis Theatrical. Jill currently manages her own kiddie entertainment company, Clowning Around.
The Artistic Team
Francis G. Matheu (Director)
Mark St. Germain (Playwright)
JM Cabling (Choreographer)
Kayla Teodoro (Set Designer)
Joseph G, Matheu (Lighting / Technical Director)
Arby Dimaculangan (Sound Designer)
Joyce Garcia (Video Graphics Designer)
Benjor Catindig (Graphic Designer)
Running Time: 95 minutes. For ages 13 and older.
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