CCP Brings the Classic Opera of Puccini to Dumaguete City

^{Viva Voce Voice Lab performers Iona Ventocilla-Borja, Nomher Nival, Myramae Meneses, Carlo Falcis, Roby Malubay, Fritz Rivera, and Raymond Yadao dazzle in La Boheme in Silliman University, Dumaguete City.}

In an effort to share the experience of opera with Filipinos in the provinces, the Cultural Center of the Philippines (CCP) recently brought Italian composer Giacomo Puccini’s timeless tragedy La Bohème to Silliman University in Dumaguete City.

This outreach program was made possible in partnership with the National Music Competitions for Young Artists (NAMCYA), Filipinas Opera Society Foundation, Inc. (FOSFI), Silliman University, and the City Government of Dumaguete.

^{CCP President Kaye C. Tinga proudly introduces Puccini’s La Boheme.}

“By bringing La Bohème to Dumaguete, the CCP hopes to ignite the spirits of those who share the ideals of Puccini’s young and brave Bohemians,” shared CCP President Kaye C. Tinga during the opening program.

Exploring the fragility of life through the artistic lens, Puccini’s La Bohème was based on the novel Scenes de la vie de Bohème by French writer Henri Murger. It narrates the colorful lives of young Bohemians residing in the Latin Quarter of Paris in the 1840s.

The tragic love story of La Bohème marked Puccini’s rise to fame, transforming him into a fully-fledged original composer when it first premiered in Turin, Italy, in 1896. Known for its remarkable arias and scenes, La Bohème has served as inspiration to numerous artistic interpretations such as Jonathan Larson’s rock musical Rent and Baz Luhrmann’s award-winning jukebox film Moulin Rouge.

With its timeless perspective on life, love, and friendship, the opera continuously resonates with audiences across generations, proving that heartfelt art transcends time and borders.

^{Renowned pianist Dr. Oliver Salonga expresses his musical prowess in Puccini’s La Boheme in Dumaguete City.}

Directed by Alexander Cortez, the four-act opera successfully showcased local talent including Viva Voce Voice Lab performers Iona Ventocilla-Borja, Nomher Nival, Myramae Meneses, Carlo Falcis, Roby Malubay, Fritz Rivera, and Raymond Yadao. Meanwhile, Viva Voce Voice Lab artistic director and soprano singer Camille Lopez-Molina handled the music direction.

Presenting Puccini’s most beloved opera in Dumaguete is a part of the larger vision that the CCP and its partner organizations are striving towards—inspiring a deep appreciation for opera among the next generation of artists, musicians, and audiences.

The world of opera, often associated with extravagant sets and elaborate costumes, may seem distant and unattainable for aspiring Filipino artists. However, this misconception is precisely what the CCP aims to challenge and overcome. This is why the CCP has been showcasing live opera performances such as Puccini’s Turandot, Gaetano Donizetti’s L’Elisir d’Amore (The Elixir of Love), and Lucia di Lammermoor.

^{CCP President Kaye C. Tinga poses with with Viva Voce Voice Lab artistic director Camille Lopez-Molina, director Alexander Cortez, pianist Oliver Salonga, vocal coach Pablo Molina, andthe cast of La Boheme.}

For the past eight years, the CCP also presented The Met: Live in HD, a series of live opera performances transmitted in high-definition video via satellite from the Metropolitan Opera in New York.

With its allied partners, the CCP also presented the Progetto Puccini masterclasses with mentors Fabio Armiliato, Mariano Panico, and Lorena Zaccaria. The classes consisted of workshops and training to selected Filipino opera singers. In addition to celebrating Puccini’s legacy, the masterclasses hope to nurture Filipino musicality by cultivating a new generation of opera lovers.

The second phase of the Progetto Puccini project will feature performances of La Bohème, to be performed in Italy from June 15 to 30, 2025, with participating Filipino artists.

By including operas in its annual artistic programs like the Progetto Puccini masterclasses, the CCP and its allied organizations are progressing in making the art form more accessible for Filipino audiences.

CCP President Tinga also reiterated her belief in the CCP’s mission to preserve, promote, and develop the Philippine cultural heritage by supporting the creation, appreciation, and dissemination of the arts in all its forms. “The CCP is not only keeping the tradition of opera alive in the Philippines, it’s also ensuring that these masterpieces remain relevant to contemporary audiences,” she added.